20 Books of Summer 2019: Book 6
My favorite Margaret Atwood book is still Stone Mattress, a collection of nine stories. There’s something about her pacing in full-length novels that doesn’t work for me. Like The Handmaid’s Tale, Oryx and Crake bounces between a dystopian future and a world a few tweaks from our present. It works well to have a main character with their feet in both worlds—who better to show the contrast?—but this means the dystopian elements must move swiftly and perfectly into place. I’m not saying either future is impossible, but the speed of the transition raises questions with no clear answers. I’d prefer both books if neither used flashbacks to show the transition between Before and After.
Oryx and Crake begins with Snowman (formerly known as Jimmy) who has somehow become the last human. Other than the hybrid animals running wild, the Children of Crake are his only company. Snowman is respected by them because he knew their creator and adds to their mythology (making it up as he goes), but he’s too different to live with them. I don’t want to say too much about the plot because the slow reveals of the Children and the world are the best part of the book.
What I can say without too many spoilers—
The Children of Crake have been genetically modified to the point of no longer being “human.” As the book goes on, you learn more details about their modifications, each more bizarre than the last. The degree to which Crake has spliced and experimented is disturbing. There are philosophical questions raised here like you’ll find in any great work of science fiction. e.g., If the Children of Crake aren’t human, at what point did they become something other? Because their bizarre qualities are revealed a few at a time, the reader can’t help being pulled into this debate as they learn more and more.
The third part of the story is the titular Oryx. The main identifying detail given to her character is a childhood lost to sex traffickers and pornography. These sections are overly detailed and feel unnecessary; they feel almost gratuitous with how little Oryx affects the main plot. She only interacts with Jimmy in the bedroom where she speaks in cryptic, detached one-liners and she educates the Children of Crake offscreen. She’s present at the climax, but in a non-speaking role where she can’t answer any questions.
Maybe it’s because this book opens a trilogy that it can’t provide many answers about its characters and their motivations, but for all the detail and care that went into the world building, I wanted to see 3D characters walking around. Jimmy/Snowman is the most developed because he’s the main POV character, but Oryx and Crake are frustratingly thin. The scenes when Snowman talks to himself are more interesting than when Jimmy talks to either of them.
Strangely enough, I feel absolutely no curiosity about the second two books of the MaddAddam trilogy. I went online to see if my unresolved questions are answered in either. When I saw the answer was no and that there were going to be more cruel (possibly gratuitous) backstories, I lost interest in both books.
Overall: 4.4 (out of 5.0) A higher score than I expected to give, but the writing itself is wonderful. Grim subject matter aside, there are great moments of clever wordplay and absurdist humor. Writing-wise, this is my favorite Atwood novel by far and it’s disappointing that Oryx and Crake aren’t better defined.